The X-Pro3 features the latest hybrid autofocus system. Fujifilm has advertised this by saying that it uses computational photography (software processing similar to what modern smartphones do) to create a natural looking result.Īnother special function you will only find in the X-Pro3 is Focus Bracketing, and the new camera gets an additional option: once you set the closest and furthest focus point, the camera can automatically select the number of frames to capture based on the aperture and focal length used. This specific function is nothing new in the digital camera world but is a first for an X-series model. You can set it to Auto, or select four range values (200%, 400%, 800% or Plus). It takes multiple shots with different exposures to capture more dynamic range than the single frame. Then we have a brand new feature called HDR. When using Multiple Exposure, the X-Pro2 can only merge 2 frames and there aren’t any other settings available. You can combine up to 9 frames and choose a merging mode between Additive, Average, Comparative Bright and Comparative Dark. It was introduced on the X-T3 and allows you to add a colour tint with the help of the colour matrix slider (warm/cool, magenta/green).īoth cameras share a number of extra features like an intervalometer, RAW conversion and Bracketing just to name a few.Īnother function they both have is Multiple Exposure, but Fujifilm has enhanced this feature on the X-Pro3 by adding more settings. The first is Black and White adjustments. The X-Pro3 has additional settings to tweak the results of the in-camera JPGs that you won’t find on the X-Pro2.
LCD VS VIEWFINDER PRO
They include: Provia (Standard), Velvia (Vivid), Astia (Soft), Classic Chrome, PRO Neg Hi, PRO Neg Std, Black & White (with Yellow, and Green Filter options), Sepia and ACROS (with Yellow, and Green Filter options). The X-Pro3 also has the Eterna profile, which is designed for video and colour correction in post.Īll the other Film Simulation modes are the same on both cameras.
According to Fujifilm, it is designed to emulate colour negative film used for everyday shots with rich chromatic contrast. Over the years, the company has introduced a new profile with each generation of camera. They are inspired by the brand’s own 35mm film production. Classic Neg and image quality settingsįilm simulation modes is Fujifilm’s name for colour profiles, or picture styles. It shares these specifications with the X-T3 and X-T30.Ģ. The X-Pro3 inherits the fourth generation X-Trans sensor with 26.1MP and a BSI (back-illuminated) design, as well as the X-Processor 4. It is the same technology seen in the X-T2, X-T20, X-E3 and X-H1 mirrorless cameras. The X-Pro2 uses the third generation X-Trans APS-C sensor, which features 24.3MP, and the third generation X-Processor Pro engine.
LCD VS VIEWFINDER FULL
To know more about our ethics, you can visit our full disclosure page. If you buy something after clicking the link, we will receive a small commission. Within the article, there are affiliate links. We were not asked to write anything about these products, nor were we provided with any sort of compensation. What the X-Pro2 and X-Pro3 have in common:Įthics statement: the following is based on our direct experience with the X-Pro2 and official information about the X-Pro3. In this comparison preview, we take a look at the major improvements the X-Pro3 brings compared to its predecessor, the X-Pro2.
LCD VS VIEWFINDER SERIES
The X-Pro series may not sell as well as the other two, but it has held on to a faithful audience that appreciates the unique shooting experience more than technical specifications. This time it comes after other cameras of the same generation, the popular X-T3 and X-T30, which offer advanced video capabilities. Seven years after the beginning of the interchangeable-lens X-series, the X-Pro3 arrives. Then came the X-Pro2 which, in addition to inaugurating the third-generation sensor and processor, also brought important upgrades in image quality and autofocus performance. I remember it quite well because from the start, it provided a unique user experience thanks to its hybrid viewfinder and retro style dials (the same concept as the X100 series that began one year earlier). The X-Pro1 marked the birth of the Fujifilm interchangeable-lens series.
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